El Hijo (1936)

            Galindo became another man. He left his son  to hired help, dragged himself in all corners of the house; flabby, weak, dirty, and ragged. Meanwhile, the great man made his life a misery, giving himself excessively to loose women and alcohol.

            One night sleeping away one of his alcoholic perturbations, he had a desolate dream. It was Susana, bending over the crib of the bay, embracing him, and covering him on her bosom, and quietly taking him through the closed doors….

            He stopped her ---“Where are you going? Where are you taking the child? What are you doing woman?”…

            She looked at him bitterly and her cruel words fell like the blows of a hammer on the temple of the dreamer.

            “You have converted love into hate and you are not worthy of perpetuating yourself among men. I am taking our son, because all mothers, at death, should do the same. Remain in the lies of your pleasures and intoxication. The truth is I am,  and I am taking the angel with me…”

            Galindo woke up aghast. He jumped from the bed and ran toward the next room where the child was sleeping.

            He picked up the boy in his arms; he shook the boy’s head, pulling him strongly against his breast. The child was dead.

Jesús Balmori

Excelsior, Manila

October 1936


Link to Spanish Version

Causes of the Revolution (1912)

221. Causes of the Revolution. The covert exertions and active propaganda of the secret societies, the discontent of some and the ambition of others, had been paving the way, though with the utmost secrecy, for the revolution on 1896.  The Katipunan, founded by Andrés Bonifacio, was the focus of the revolutionary tendencies. There was a “ blood compact,” which consisted in signing one’s name with one’s blood in order to inscribe one’s self as a member of the League or Katipunan.

            Many caught at the presence of the friars as a pretext. But the abuses and faults charged against them, their despotic theocratic rule, and their vast landholding were merely idle reasons for speaking ill of them. For, first of all, the failings of a few should not be visited upon the majority, which was sound and vigorous in fulfilling its duties. Secondly, there were other classes of society undeniably corrupt, yet no fault was found with them. Thirdly, those who threw the stone were far from ^being guiltless fo the crimes they imputed to the friars. Fourthly, their estates were honestly acquired, as was acknowledged by two governments as different as the American and the Spanish. Fifthly, the people’s hatred of the friars was a fiction not a reality. Certain writers and some other persons were declaiming it daily in strident tones, and in consequence dislike of the friars was engendered in some districts.

José Burniol, S.J.

A History of the Philippines (June 1912)

Ateneo de Manila

English Translation by Thomas Becker, S.J.


Link to Spanish Version

El Dolor Del Viejo Campeón (1928)

This victory disabled Talisain forever. The muscles healed in a short time, but the champion became but a lame cock incapable of confronting even an unexperienced cock. The owner gave him as a gift to Teniente Botoy, his trainer, who thinking that he could still make Talisain useful, set him free in a barnyard to see whether he could father a worthy heir to his warlike deeds.

            But the hens of that chicken coop made fun of the lameness of Talisain. They did not know of his deeds as an ex-champion and made him the butt of jokes. To top all his misfortunes, the hens of the barnyard did not even look at him preferring the fresh handsomeness of the two-year old cocks that courted them.

             Talisain felt very lonely and neglected. Nobody in that barnyard knew that he was a champion although he had lost his status as one. Nobody loved him, nobody understood  him. Even the young roosters who were starting to grow their crest and liven the early mornings with their early warlike crowing sometimes dared to challenge him, sure that even if their daring could be punished, they could get free of his spurs just by running away.

            One day he planned to astonish the tribe. With great fuss he called the hens. They responded thinking that the old champion had found some corn and wanted to give it to them. When he had them around him, he opened his beak and let go a vibrant, lengthy, fiery crowing, as fierce as his crowing during his triumphant days.

            The hens looked at him with astonishment. Then, sure of his supremacy, he began narrating his deeds.

            It was the greatest error of his life. The hens ---who in the feminine art of making fun are certainly consummate teachers --- feigned listening to him. Afterwards, they told the stories twisting them as they saw fit, to the attractive young roosters of the barnyard. The effect was immediate.  The proudest cock went to challenge him, and beat Talisain with so much spur that had not the trainer interfered, his life would have ended there.

Antonio M. Abad

La Defensa, Manila

15 de agosto 1925

Link to Spanish Version

El Caballito del Diablo (1933)

            Time destroyed our small home, our nest of loves.

            Orphaned of a mother at ten years of age, I became even more attached to my father, in an infinite anguish of love. In a year my father would also die.

            The perennial memory of that moment has saved me; my father’s last words kept me from evil…

            “My son,” he told me repeatedly ---: ”Do you remember the dragonfly? --- You removed his wings, and said: ‘Fly!... Try to fly now !’ My son, you are another small dragonfly. When your mother died, you lost two of your wings. Now, very soon when I shall have died, you will lose the other two you have left. Fly, my son! …Try to fly now! … Do not forget that you have the right to happiness, but always remember that others too also have that right. My son: Never take away anybody else’s wings! …”

            And his voice broke in a last gasp.

Alejo Valdes Pica

Excelsior, Manila 

February 20, 1933


Link to Spanish Version

¡Buenas Pascuas! (1891)

Christmas in the Philippines is, according to the grown-ups, a holiday for children; the children do not perhaps share this opinion and the thought can even be hazarded that they have an instinctive fear of Christmas. Indeed it is a day when they are woken up early, washed, and loaded with new, expensive and showy clothes, silken booties, huge hats, woolen, silk or satin suits, without forgetting four or five little scapulars bearing the gospel of St. John, and thus encumbered taken to High Mass for almost an hour, compelled to suffer the heat and the smells fo the tightly packed and sweaty congregation, and, if not forced to recite the Rosary, to be quiet and be bored or go to sleep, punished and scolded for every movement or any prank that might soil their new clothes. So it is that they neither laugh  nor are merry at all, and in their round eyes can be seen a nostalgia for their old every-day clothes and a protest agains so much embroidery. Afterwards they are taken from house to house to visit relatives and greet them, as is the custom, by kissing hands; there they have to dance, sing, and put on exhibition any graces they may have, whether or not they feel like it, and whether or not they are at ease in all their finery, with the usual scoldings and snappings whenever they try to have their own way. The relatives give them coins but these are taken over by their parents and that is the last they hear of these presents. The only thing clear they get from the holiday are the scoldings and the discomforts, and more of the that not a stomach-ache from a surfeit of sweets and biscuits in the house of the more generous relatives. But that is the way of the country, and the Filipino children make their entrance into the great world by means of these trials, after all, turn out to be the least sorrowful, and the least ardous, in their lives.

The grown-ups who live by themselves have a share of their own in the holiday. They visit their parents and their uncles and aunts, bend a knee, and wih them a Happy Christmas; their presents are a sweet, a fruit, a glass of water or some trinket.

José Rizal

El Filibusterismo

Ghent , Belgium 1891

Translated by Leon Ma. Guerrero (1961)


Link to Spanish Version

Disillusion (1932)

     He  became petrified as he held his breath. Could it be possible? Didn't his eyes deceive him? This Sylvia who was giving him her hand affectionately was she the same Sylvia of twelve years back, all loveliness in the New Luneta, near the rocks? She had aged, grown thin, and was evidently sick. She was just any woman. She could not be Sylvia, the Sylvia he had waited for, for twelve long years. They had met in the market and  Salvador had to exert extra effort trying to recall her, to recognize in this emaciated figure he was looking at, the woman he had dreamed so much about. Twelve years lost! Twelve years of useless hatred of her husband, of the wretched guy who had never done him any harm, and all of this, only to end up this way. The disenchantment of reality was coming to him even as illusion was fading away with the repugnance he could not help feeling at the sight of this haggard creature.
  
    He bade her goodbye and excused himself with trivial words. he all but shrank from the touch of the hand she extended to him affectionately. And right here and then he decided to Joaquin's stupefaction who did not understand anything at all.

    "I'm sick of Baguio! Let's go back to Manila at once..."


Enrique K. Laygo
Excelsior, Manila
April 20, 1932


Translated to English by Pilar E. Mariño

Link to Spanish Version

Chang-Chuy's Umbrella (1876)

A procession that seemed interminable, composed of eight thousand women, was crossing the Barcas Bridge going towards Binondo. They were the cigarette girls of La Fábrica de Tabacos del Fortin on their way home.

Chang-Chuy enjoyed watching them. He admired their easy manner, the peculiar sound of so many slippers and the constant swinging of  their arms.

Chang saw one with a coquettish expression who smiled at him affectionately as she passed by. This pleased Chang so that after saying good-bye to his fellow Chinese, he followed the girl.

When the cigarrera noticed that Chang was following her, she turned to face him and said in a special language that many indios speak:

“¿Cosa quiere suya conmigo”(What do you want with me)?

“Mia quiele placticalo” (I wish to speak to you) , answered Chang, speaking in broken Spanish as they usually do there.

“¿Y para cosa” (What for) ?

Because you are magandan dalaga.

“¡Aba!“ She exclaimed. “This Chinaman is falling in love with me!”

“Yes, icao mariquit” (Yes, you are pretty)

“Kansia (Thanks)”,  she answered him in Chinese.

“Mia quiele mucho con suya y tiene cualtas para puede compla saya y candonga” (I like you very mucha and I have money to buy you a skirt and a carriage), Chang insisted.

When she heard the word cualtas (money), the girl’s eyes opened wide like windows.

“Very well,” she said, “ Sigue suya conmigo para habla bueno-bueno con aquel mi tia” (Follow me so you can have a good talk with my aunt).

Chang-Chuy, noting her willingness, was pleased to accompany her. She lived in Sibacon. The careless Sangley talked to the aunt of that Venus called Quicay (nickname for Francisca). The aunt, who was very shrewed, allowed him to have an affair with her niece after he made a formal marriage proposal.

Chang agreed to whatever the two women wanted, and returned home happily because he had at last found an india who loved him.

Don José Montero Y Vidal

Cuentos Filipinos

1876

English Translation from the Book “Cuentos Filipinos”  published by the Ateneo de Manila University in 2004 (Renán S. Prado, et al.).

Link to Spanish Version