Showing posts with label Jesús Balmori. Show all posts
Showing posts with label Jesús Balmori. Show all posts

Friday, January 23, 2015

Bienaventurados Los Humildes (1941)


Velvet Apple (English), Camagón (Spanish), Kamagong (Tagalog)


    The whole forest burned with the heat of a forge, of hell, even if the sun had hidden itself and the thicket lay enveloped in very dense shades and darkness.
    From time to time, the flash of lightning shook the clouds like a crack of a whip. And after an instant the thunder rumbled in the distance harshly.
   The beautiful birds of spring had sought refuge anywhere they could. The big red, yellow and white flowers, withered over their bent stems, fell. A swift wind, hot and cutting like the vapor of a crate, carpeted everything with petals and shattered leaves.
    The green pine tree, trembling and frightened, spoke:
    “Old kamagon, are you not afraid?”
    The kamagon smiled: “Afraid? Of what?...”
    “Of the storm that is coming.”
    The kamagon continued smiling:
    “Bah!... My friend; not everything has to be enchantment, light , flowers, and kisses… In the happiest life, there are many days of storm like this; I have seen so many, so many that now it is all the same to me whether  it’s the fire of sunlight or the gentle and white light of the full moon that illumines the forest. Furthermore, the storm passes away, like all things do; youth, love and glory itself.”
    “Yes, but the storm returns…”
    “And who tells you that youth, glory, and love do not return?”
    The atmosphere was becoming darker, the lightning each time sharper and almost without interruption, the thunder rumbled nearby; and some great drops of rain started falling indistinctly, raising a rustle of whiplashes.
    In the agitated forest one could hear the hissing of the reptiles, the screech of the kalaws, and the groans of the injured trees. A strong windstorm rose destroying everything in its way, throwing down nests and tearing down branches… Suddenly a red flame set the forest on fire, and it was followed by an infernal noise which stirred up the depths of the earth. Then the first thunderbolt fell, coiling itself like a snake of crackling embers around the beautiful and proud ilang-ilang, which slowly fell into pieces.
    When the devastating roar passed, the kamagon looked at the pine tree with pity. He had been stripped of all his arrogance, of all his stupid pride, and he seemed harassed and tremulous, prey of a terror that corroded even the sap of his deepest roots. Covered by his graceful branches which the rain mercilessly lashed, he seemed to be crying, shedding all the drops of water that were blown through his leaves. The kamagon, feeling sorry for the pine tree, spoke to him then over the tremulous sound of the wild elements.
    “Do not tremble, do not cry, this will pass”
    “Oh, grandfather, I am afraid to die!”

    “You will not die. You are still young; but if it is written that today you will stop existing, what difference does that make? Sooner of later it has to happen. All of us go the same way. It is only a question of some years more or less.”
    The echo of another thunder drowned his voice. Another infernal blaze blinded them, and both listened as at their very back a poor ilang-ilang tree scorched by the thunderbolt dryly plunged to the ground…
    The pine tree even more terrified, rose in a cry of desperate protest.
    “No, he did not want, could not, should not die, and die just like that, split by a thunderbolt. He was still young, and hardly had he enjoyed the divine sweetness of April. Why for black fetid death’s sake tear him away from his silvery nights that smell of flowers and dreams, from his golden days full of wings and rosy dawns?”
    Suddenly he kept silent, shuddered, shaken by a horrible death rattle, bending the ideal treetop that a thunderbolt now streaked with its blue, red, green, and yellow phosphorescence, like a long necklace of turquoises, rubies, emeralds, and sapphires hanging over its dead trunk. The poor pine tree was yet another dream which was falling, and immense dream of grandeur lost in the grandeur of the universe!

___

     After a year, during another bright April morning, some woodcutters invaded the forest.
    And among the trunks and fresh branches of the trees which they hacked down with bolos and axes, they brought with them the withered remains of the green pine tree and the back kamagon.
    And it happened that while the people of the village needed firewood, the priest of the town needed a big cross for his church. And that was why he took the trunk of the old kamagon so he could entrust it to a skilled sculptor.
    And in that same night, while shattered into a thousand pieces, the pine became ashes in the rustic home-made stoves of the village; the kamagon, converted into a divine cross and adored, was raise over the holy and humble thrill of prayers.
   There it was humble, black, affectionate, serving as a support for a God who on top of him was dying and died of love…
    Meanwhile the priest over the pulpit began to speak, and his words penetrated the simple souls of the multitude like stars, like spikenards…

    “Blessed are the meek…”

Jesús Balmori
Manila (May 1941)

Translated to English by Pilar E. Mariño

Sunday, July 6, 2014

País de Ensueño (1907)

Dream Country

I
    A princess was born in a land which the sun turns golden, that kisses the blue sea, and wherein the wind sings a hymn of eternal love.
    The immense palaces were filled with flowers, in the golden temples the bells reverberated, and on top of the walls of the imperial city, royal heralds of Happiness blew their trumpets of gold and trumpets of silver.
    A Chinese wizard wearing a sparkling dress baptized the princess. With his arms toward the sun and his forehead on his breast, he said:
    “In the name of Love and of Dreams, I baptize you little princess…
    “Oh my queen! How will the little princess be named?”
    And the queen, with the soul of a mother profaning the mystery of destiny, answered: “Well Happy.”

II
    The fairies began to arrive at the royal palace; the fairies arrived on fluttering carriages of doves and flowers, on carriages o wings and moonbeams. The palace was filled with music and dreams; the queen dressed in emeralds receive the court.
   And the fairies bending over the little princess, left in the royal cradle marvelous gifts.
     “You will be precious!”
    “You will be loved!”
    “You will have dreams!”
    “You will have joys!”
    “You will know how to cry!”
    The fairy of tears said, very slowly, preparing to pour over the eyes of the child her amphora’s essence. But the queen, trembling, interposed between the fairy and the cradle… “What were you saying? … her child should cry! her little princess should cry! her Princess Happy! No, never, she implored and moaned; that all the tears destined for her daughter should fall instead on her eyes and heart. The princess of the royal palace, the princes of the place of dreams and flowers could not, should not know tears…”

    The radiant and haughty fairy considered the request a slight and regarded the ignorance a malice, ascended her carriage of roses and bats, and disappeared through the air, entangling aromas and breezes along her golden route. But before leaving, she cursed the little girl:
    “Oh, you will not have tears! you will not know how to cry!”
    And the queen kissed her daughter. She had had saved her from tears.

III
    But not from pain. The child, a woman even as she was a princess, suffered like all women. And they would see the grimaces of anguish of that infantile and divine face that suffered and suffered without being able to cry.
    And the queen, looking at the girl, learned one thing.
    “That pain without tears is twice as painful”

IV
    It was springtime. The princess was pretty. The princess was pale.
    Like the fairies said, she was beautiful, loved, she had dreams, and joys.
    But she has no tears. She knew pleasure, she yearned to cry with joy, she could not…
   And since then, Princess Happy became the most unhappy of princesses.

V
    One time—it was late afternoon in the royal gardens — the princess caught a glimpse of two lovers who were concealed by the foliage.
    The man had his arm round the waist of the beloved woman; she with her head thrown backwards, received a kiss on her lips.
    The princess followed with her sad eyes the idyllic dream; but suddenly the branches rippled, the sweet pair were lost among the flowers, and a vibrant and harmonic sob of love shook in the breezes.
    Each flower was a mystical censer, a light and vague perfume rose, like the soul of a poet, towards the heavens; a silvery trickle sang in the fountain where a pale swan supported the plinth of a fantasy statue.
    And the princess moved away, she moved away slowly from the garden, with her throbbing breast, with swollen eyes, with her heart full of envy and foolish things.
   The princess moved away, she moved away from the splendid and cursed garden of love.
   A heavenly heraldist. Over the gules Venus shone—golden light—and the new moon raised its great blue eyebrow, like the arch of light of a bowman who shot arrows in the sleeping atmosphere, the conquered monarch that moved away fleeing.

VI
    Tears of sorrow, monstrous and bitter tears are the waves of the ocean. Tears of joy, tears of crystal and of laughter are the dewdrops that the morning showeres over the wings of birds and on the lips of the flowers. Melancholic tears, golden tears — perhaps tears of love —are the leaves that Autumn pulls off the dead branches.
    But in the luminous eyes, in those bid dreamy eyes of the princess, there are no tears.
    The queen, worried to death, requested national consolation for her daughter. Who knew the remedy to make the princess cry?
     Over the walls of the imperial city, the royal heralds of Pain blew their trumpets made of horn and their trumpets made of amber. It is not known from what cave came an old hunchback and horrible woman.
    “I am a thousand years old,” she said, “and I know that the only way to erase the hatred of the fairy of tears is that a handsome youth not related to the princess come to her palace to seek pardon.”
   The royal heralds of Pain again blew their trumpets of horn and their trumpets of amber. A handsome warrior presented himself in the court.
   “I shall go”
   As he offered his services, he looke at the purple and sad eyelids of the poor princess.
    “Blessed are you! said the queen.
    “And return soon,” she sighed.

VII

    She dreamed about the return of the warrior, of the handsome and beloved warrior.
    Because she love him, she loved him with all her soul, since she saw his gallant eyes looking at hers stained with melancholy. And the warrior returned. The whole court dress in gold to receive him. He returned happy and satisfied, narrating adventures of the journey; abysses surmounted, monsters defeated.
   “And here is, Princess, the amphora of tears which you desired so mush; here are all your tears; you will cry, Princess, on the day the crystal that keeps them breaks.”
   “And what do you desire as a prize,” she asked, dreaming of putting the royal crown on him.
   “Nothing, Princess; only my pity urged me to make you happy. I am already happy, so very happy that I no longer wish for more.”
    From his eyes appeared a light of love; the Princess followed his eyes and she found them in the air, bursting into a kiss with that woman whom she heard one afternoon cry of love in the royal gardens..
    Then she felt jealous; in her soul she felt despair; and the glass of amphora of tears was broken.
    And before the royal court all dressed in gold, before all the court assembled to celebrate that matchless good fortune, the princess cried her first tears, which were more painful than all the sad pains in her past.


Jesus Balmori
Excelsior, Manila
May 30, 1907

Translated to English by Pilar E. Mariño



Saturday, September 1, 2012

Tormenta (1906)


I

     The first drops of rain – crystal and silver rain – thrummed pompously over the nipa thatches of the hut. A hot wind, like a breath of lust, shook the banana plants of the uncultivated ground; the red flash of lightning set on fire the whole forest, and like crackling on the very foreheads of the woodcutters, an immense thunderclap opened the arch of its thunderous noise.
     “Mother, there’s a storm”
     “Yes, my dear son, go…”
     And she kissed his forehead

II

     She was a mother who had nothing in the world except that child, half of her heart.
     She was a poor woman, widow of a woodcutter, without any treasures but the boy, the hope of her life.
     And the boy was given fifty centavos to ring the bell of the secluded chapel of Ermita during a storm.

III

     In the sky, black like the pearls of Ormuz, the flashes of lightning sparkled like in silvery fantasies.
    The forest trembled under the claps of thunder; the rain continued thrumming over the nipa thatches of the hut…
    Finally, the sound of a bell vibrated from afar…
    “Clang!... Claang!...Claaang! …”

IV

    Her eyes opened, frightened and sorrowful, her heart throbbed like a captive bird, and before an old image of Christ, lean and bloodstained, her lips said, trembling and in prayer:
    “My Jesus, by the steps You took in the street of Sorrow while burdened with your cross, have pity on my son!...”

V

    The rain was becoming heavier, the woodcutters fled fearfully to their huts; the poor women lighted yellow candles and sputtered through gabbled prayers; some abandoned goats whined under branches of trees.
    And the humble sound of the bell, riding on each thunderbolt, sain crying:
    “Clang!... Claang!...Claaang! …”

VI

    Suddenly a lightning flashed in the darkness like a serpent of rubies and carnations.
    The bell of Ermita did not ring.

VII

    The black clouds fled with the winds and thunder.
    The fragrant and humid night smiled diaphanously in her starry splendor.
    And at the foot of the poor mother, of the poor, delirious, and insane mother, was found the body of the dead boy, under the golden rays of the moon.


Jesús Balmori
El Renacimeinto
Manila
November 24, 1906

Translated to English by Pilar E. Mariño

Link to Spanish Version


Saturday, July 2, 2011

El Hijo (1936)

            Galindo became another man. He left his son  to hired help, dragged himself in all corners of the house; flabby, weak, dirty, and ragged. Meanwhile, the great man made his life a misery, giving himself excessively to loose women and alcohol.
            One night sleeping away one of his alcoholic perturbations, he had a desolate dream. It was Susana, bending over the crib of the bay, embracing him, and covering him on her bosom, and quietly taking him through the closed doors….
            He stopped her ---“Where are you going? Where are you taking the child? What are you doing woman?”…
            She looked at him bitterly and her cruel words fell like the blows of a hammer on the temple of the dreamer.
            “You have converted love into hate and you are not worthy of perpetuating yourself among men. I am taking our son, because all mothers, at death, should do the same. Remain in the lies of your pleasures and intoxication. The truth is I am,  and I am taking the angel with me…”
            Galindo woke up aghast. He jumped from the bed and ran toward the next room where the child was sleeping.
            He picked up the boy in his arms; he shook the boy’s head, pulling him strongly against his breast. The child was dead.



Jesús Balmori
Excelsior, Manila