Saturday, July 20, 2013

Damián, el Cojo (1940)


Damian was the most popular person on Rizal Avenue. Damian sold newspapers and sweepstakes tickets on the various sidewalks of our “Broadway” Manileño.

Damian was “half a man,” because the popular seller of newspaper lacked legs. He walked with a pair of skates. Damian had lost his legs when he was working in a gold mine in Baguio; a dynamite explosion blasted away his limbs. The company retired him with two thousand pesos which the lame man invested successfully.

Damian had very few needs. He was a bachelor, and the little income that his little capital produced was enough for him to live on. But he could not accustom himself to an idler. This is why he dedicated himself to the selling of newspapers and lotteries.

Damian, like it was said, roamed the sidewalks of Avenida Rizal morning, noon, and night. He was known in all the stores, restaurants, and cinemas. He was not a handsome man, but he was devastatingly warm and friendly. That is why he sold more newspapers and lotteries than all the rest of the vendors of his “zone.”

Damian, the cripple, like they called him, was something of a poet. In his spare time, he used to read all the literature that fell in his hands, and he wrote poetry that he sent to Taliba, Liwayway, Sampaguita, and other newspapers published in Tagalog, and this added some more pesos to his monthly income. He wrote, shielding himself with a pseudonym, because he was afraid that people would recognize him. Damian had always been very timid, and his misfortune had added to his timidity.

The cripple of Rizal Avenue had never been in love, not even when he was a whole man. But one fateful day, a woman came into his life. The first and the last. He saw her enter a Japanese business house. And she did not leave the store the whole day. Damian made the corresponding inquiries. She was called Inday and worked as a saleslady in the Japanese store.

Inday was not beautiful, but she had a beautiful body and what Americans call “it” attraction. Despite her modesty, she dressed elegantly, and she had an enchanting smile, a smile that captivated the cripple.

Damian resigned himself to seeing Inday enter and leave the store. He remembered the hours of the opening and closing of the Japanese store, and not a day passed that he did not contemplate the woman who had taken possession of his heart. And the poor cripple suffered his tragedy in silence. Until the day he saw Inday for the first time, the loss of his legs had never bothered him much.  But now it was different. If only he had legs!

If Damian had his limbs which he lost in the mines, Inday would have been his. But a “half a being”  like him could not win the heart of Inday, nor of any other woman. And for the fist time in his life, Damian felt his misfortune. And he cried, cried bitterly because of his misfortune.

To lighten his tragedy a little, he composed poems, many poems, and dedicated them to Inday. And these poems were so beautiful that they aroused the interest of the people, and he was paid a lot for them. These poems flowed from the bleeding heart of poor crippled Damian.

Inday received the poems that Damian sent her. The first ones she did not read. It is so silly to read poetry in these times, she thought. But she received them so often that her interest was aroused. And she read them … And Inday loved them. And she became interested in the author. But who was he? Why did he not introduce himself?

Inday dreamed about her unknown suitor. She imagined he was young, handsome, and intelligent. Because those poems could not be written by a person who was not such. How beautiful were those poems! And how its author must like her! But all the investigations she made did not reveal her anonymous lover.

Benigno G. del Río.
Prejuico de Raza
Manila. 1940.

Translated by Pilar E. Mariño.



Wednesday, June 12, 2013

¿Qué vais á conseguir con el castellano, los pocos que lo habéis de hablar? (1891)


Now you ask for the teaching of Spanish, an aspiration that would be ridiculous if it did not entail such deplorable consequences. For you would add one more language to the more than forty already spoken in these islands, no doubt so that you may understand one another less and less!

“On the contrary,” objected Basilio, “if knowledge of Spanish may bring us closer to the Government, it can also unite all the islands.”

“A gross mistake,” interrupted Simoun. “ You let yourselves be fooled by big words and never get to the bottom of things to study the ultimate consequences. Spanish will never be the national language because the people will never speak it. That tongue cannot express their ideas and their emotions. Each people has its own way of speaking just as it has its own way of feeling. What will you do with Spanish, the few of you who will get to speak it? You will only kill your individual personality and subject your thoughts to other minds. Instead of making yourselves free, you will only make yourselves truly slaves. Nine out of ten among you who presume to be educated are renegades  to your country. Whoever among you speaks Spanish is so indifferent to his own language that he can neither write nor understand it. How many have I seen who pretend not to know a single word of their native tongue! Fortunately you have a stupid Government. While Russia compels the Poles to study Russian in order to enslave them, while Germany prohibits the use of French in the provinces she has conquered from France, your Government fights to keep alive your native languages, while you, on the other hand, an extraordinary people under an incredible government, struggle to get rid of your national identity.  Both of you forget that as long as a people keeps its own language, it keeps a pledge of liberty, just as a man is free as long as he can think for himself. Language is a people’s way of thinking. Fortunately your independence is secure. Human passions watch over it.


José Rizal
Chapter VII – Simoun
El Filibusterismo. 1891

Translated by Leon Ma. Guerrero (1961)

Friday, April 5, 2013

Cuando los Dioses Lloran (1936)


     Aunt Valentina was sleeping. The girls were very careful not to disturb her, for nothing infuriated her more than to have her sleep disrupted.
    The crimson velvet of the armchair enhanced the fairness of her face and her still smooth body. Her hands, covered with jewels, were lily white. Aunt Valentina, an incurable worshipper of herself, had happily reached her sixtieth year. The Gods favored the youthfulness of that body that seemed to remain strong and beautiful.
    Every morning, upon getting out of bed, in front of the mirror, she scrutinized her face on which not a single wrinkle had dared draw the sadness of its lines. When she parted her lips, rosy like those of a child, they revealed the sparkling harmony of her healthy teeth. She had stifled the only treacherous cry of the enemy in the secrecy of her bedroom, her inaccessible sanctuary, where only Monica, her old maid, was allowed. She was faithful to her like a dog, and zealously kept the secrets of her mistress. Only she knew that Valentina by indiscreet how she kept herself so fit, Valentina would reply smiling tat all it took were a good sleep and a cold shower. Monica knew that she was lying with admirable rheumatism which was torturing her! No one but the maid knew about the famous and indispensable foot baths which her mistress had to undergo before she went to bed. How her hands could soothe the pain of those muscles softened by massages and liniments.
     Valentina loved to be surrounded by beautiful faces, by the frolicsome gaiety of everything that was truly youthful. She tried to have her unmarried nieces with her. And since she had never had a daughter of her own, all her zeal for embellishment and care centered on herself and also a bit on the naughty youngsters who filled her house with laughter and chattering like a singing goldfinch. Monica was the target of their mischief. How often she felt suddenly embraced by playful arms: two, four, six, eight hands on her shoulders and back moving her to and fro and turning her round and round. She would drop the dressed chicken and between fuss and complaints, she would free herself from them raising an outcry.
     Other times they would approach her silently, and whisper in her ears the question which infuriated her: “ Tell us the truth, dear one. How do you manage to have Pedro, the charcoal maker, kiss you all the time?”
     Pandemonium would break loose! Monica, furious, —she had always been the most ardent champion of celibacy —would grab the broom and chase the mischievous girls trying in vain to attack them.
     Valentina would come to the rescue, in the midst of their continuous shouting and running around wildly.
    “What’s that noise all about, girls? And you, Monica, what are you up to with that furious broomstick?”
     “What do you expect me to do? The girls, Señora, the girls who …” Panting, Monica would become speechless and turning away would go to the kitchen.
     Valentina, trying to appear serious, reprimanded the naughty girls, but as if joining with them in a certain complicity, would end up saying:
     “Girls, don’t be mean. Poor Monica is old. She is very old! The poor creature is very old!”
     “Poor Monica” was just as old as Valentina.


Evangelina E. Guerrero- Zacarias
Excelsior. Manila


Wednesday, January 16, 2013

El Escándalo (1924)


     Father Alberto was really a handsome fellow, despite his cassock, and more than one penitent had sinned mentally in contemplating her father confessor when he occupied the penitential tribunal, asking herself why such a handsome man had become a priest, when he could have driven crazy any young marriageable girl. He was arrogant, with black expressive eyes, in which one could notice something roguish. When he occupied his place in the confessional, the young girls surrounded him emulously eager to receive absolution form those lips made to pour out honey instead of reprimands among his penitents.
     On one occasion a young lady eighteen years of age, went to confession. She was tall, blond, of poetic bearing, with rosy lips, gentle and innocent look, and ingenuous outfit, that Father Alberto looked askance at her, but the young woman did not seem to notice it.
    Since then, every Monday, at the time the penitential tribunal opened, any observer could have seen kneeling in it a young girl who with signs of great unction awaited for her turn. And when this came, the priest who had been pale and nervous would acquire a very rosy color and would begin the confession that should be exhaustive judging by the time spent in it and by the excitement produced in one and the other.
    But, since everything has an end in this world, those who had confessed to Father Alberto, not satisfied with role of extras in that show, began to murmur about such confessions, whether because of envy, or because of malevolence, subjecting the confessor to the most scrupulous examination before and after the act to which he was devoted.
    But let us hear what two of those who had confessed say. They are not young, nor beautiful, but have more than enough of ulterior motive and mischief.

    “ Today, madam Flaviana, Father Alberto must have overslept because it is six thirty in the morning and he hasn’t turned up round here.”
    “Father Alberto is very young, and sometimes he must go to bed with a very hot head because of too many confessions, and perhaps…”
    “And especially if the penitents are blondies and beautiful. Lord, forgive me, because I am sinning without wanting to.”
    “The flesh is weak and our resistance is so feeble. But there’s  the assistant priest. Without a doubt he will give us news about Father Alberto.”
    “Jesus, Mary, Joseph! Is it true?
    “That Father Alberto is very badly injured. The car he was riding in has overturned, and the good Father has dislocated one foot and broken his right arm. Also it is assured that a young girl … But it must not be true.”
    “What has happened to the young girl?”
    “That she is also badly injured.”
    “One of those who go to confession?”
    “A very beautiful blond.”
    “Ah!”

Angeles L. De Ayala
The Independent Manila
April 12, 1924

Translated to English by Pilar E. Mariño


Monday, December 24, 2012

La Última Travesura (1932)


The eve of The Three kings! The nights of the Magi! A sacred legend which filled the young hearts with flame of Divine Illusion! The miracle which makes the porches bloom with shoes and fills them with gifts falling from the heavens!

Awake in her bed, the grandma thought of the kids, children of God, who would be sleeping with a smile on their lips, anxiously awaiting the dawn in order to run and see the gifts brought by the Kings. She thought of the men, boys who no longer believed in the Three Kings, but who still kept deep inside of them the memory of the Divine Illusion and felt it come alive again and again throughout their lives. And she thought of the grandchildren…

They were right. The following day they were definitely leaving and she had resigned herself to returning to her old loneliness, for she knew that they could not stay with her forever. The parting had to come. She had learned to put up a brave front. That same night, during dinner time, their departure already scheduled for the next day, she had suggested that they have something memorable to top their stay with her. Then children, going along with the idea, broke their heads trying to think of “something memorable” when Estrella, most mischievous and also most imaginative, made a gesture that she had thought of one and exclaimed:

“I got it, I got it!”
“Something silly,” Juan mocked her…
Estrella stuck out her tongue at him. The envious one! And, of course, she had an idea, a splendid idea…
“Come now, come now girl, what is it?” asked the grandma.
“Well, we, girls, will put our shoes on the window sills… and the boys…”
“Will be the Three kings! Great!” Enrique agreed, “I shall be Melchor.”
“And I, Gaspar…”
“And I, Blatazar…”

And so, at this time, the shoes were on the window sills of the dining room, precisely because the windows of the dining room were the most accessible for the Three Kings…

And the grandma was hatching a mischievous idea in her head, a nice prank. Oh, her youth long gone by! Just thinking of the “idea” made her feel like a girl again, vibrant with youth. Yes, yes, she should do it. Why not? It would be a joke and if by chance it worked, it would be great. Thus, she would have contributed to her grandchildren’s joy. That way the Divine Illusion would be re-born.

She jumped out of bed very quietly. She turned on the light. She searched for something in the boxes. Later, satisfied, she worked on the details of the idea.

The next day, at breakfast, the grandma looked at her grandchildren one by one. And she trembled… trembled!

The boys were very much amazed; the girls, very serious. And amidst the seriousness, the Divine Illusion vibrating with happiness. A Divine Illusion, so clear, so evident that the grandma felt rejuvenated. And it was her doing, the product of her sixty years. Because the night before, the eve of the Three Kings, she had wanted to be one of the Magi and had placed in the shoes… love letters!

Enrique K. Laygo
Excelsior. Manila
March 20, 1932

Translated to English by Pilar E. Mariño

Link to Spanish Translation

Friday, November 2, 2012

La Sultana de Joló (1876)


     The sultan, awed by the beauty of Lólen, chose her from all the others and made her go to his bedroom. The rest of the captives were either sold or assigned to different kinds of work.

     The sultan bade farewell to his kinsman, congratulating him for the beautiful captive he had brought to Balanguingui. Filled with admiration for Lólen, the sultan said in the Visayan dialect, “Calm yourself, beautiful lady; forget the grief that overwhelms you. May you discover form the tears in your eyes that such beautiful eyes shine better when lit by love rather that when moistened by tears! In your land you have no power, here you will be sultana.”

     Lólen answered: “Sire, I prefer to be the humblest in my country than to be queen here. I pray that you permit me to return to the place where I was cruelly seized. At this very moment my poor parents are dying of sorrow because of my misfortune.”

     “Should I allow your return to your country? I would be a crazy fool, indeed.”

     “Why, sire? Is your conduct just? What right do you have to make me a slave when I was born free? Why do you bring me here against my will?”

     “I should not discuss this with you. I can only tell you that you are a beautiful enchantress and that you will be mine.”
     “I will die first”
     “How is that? You refuse to be my wife?”
     “I prefer not.”
     “Why?”
     “Because it cannot be. If you allow me to stay in Jolo. I will detest you. I do not give my heart to one I do not love.”
     “And if you were not my captive, would you love me?”
     “No, because I love someone else.”
     “You have a husband,” exclaimed the sultan in an angry tone that instilled fear.
     “I have a fiancé who will be my husband.”
     “He will not be while I live.”
     “Well, I will not have another.”
     “Yes, you will have me.”
    
     The sultan approached Lólen to embrace her. Lólen stepped back and taking a dagger that was on top of the night table, she said with energetic resolve, “If you come near, I will stab your chest or pierce my heart with this dagger.”

     The sultan became still, restrained by the young lady’s determined manner. Presuming that affectionate gestures and flattery instead of violence would produce more favorable results, he said, “You are mad. Drop the dagger and let us talk.”

     “Talk all you want!” she answered without letting go of the dagger.

     “I have fallen in love with you. It is necessary then that you be prudent, for if you irritate me, I will take by force what you do not grant me willingly. Here, there is no power other than mine. I long for your love and I will have it. Contrary to my practice, I will desist from using violent means. You are now irritable because they have seized you from your country. I want to give you enough time to reflect calmly. In the next house, you will have women to serve you. Tomorrow I will visit you.”


Don José Montero Y Vidal
Cuentos Filipinos
1876

English Translation from the Book “Cuentos Filipinos”  published by the Ateneo de Manila University in 2004 (Renán S. Prado, et al.).

Link to Spanish Translation




Saturday, September 1, 2012

Tormenta (1906)


I

     The first drops of rain – crystal and silver rain – thrummed pompously over the nipa thatches of the hut. A hot wind, like a breath of lust, shook the banana plants of the uncultivated ground; the red flash of lightning set on fire the whole forest, and like crackling on the very foreheads of the woodcutters, an immense thunderclap opened the arch of its thunderous noise.
     “Mother, there’s a storm”
     “Yes, my dear son, go…”
     And she kissed his forehead

II

     She was a mother who had nothing in the world except that child, half of her heart.
     She was a poor woman, widow of a woodcutter, without any treasures but the boy, the hope of her life.
     And the boy was given fifty centavos to ring the bell of the secluded chapel of Ermita during a storm.

III

     In the sky, black like the pearls of Ormuz, the flashes of lightning sparkled like in silvery fantasies.
    The forest trembled under the claps of thunder; the rain continued thrumming over the nipa thatches of the hut…
    Finally, the sound of a bell vibrated from afar…
    “Clang!... Claang!...Claaang! …”

IV

    Her eyes opened, frightened and sorrowful, her heart throbbed like a captive bird, and before an old image of Christ, lean and bloodstained, her lips said, trembling and in prayer:
    “My Jesus, by the steps You took in the street of Sorrow while burdened with your cross, have pity on my son!...”

V

    The rain was becoming heavier, the woodcutters fled fearfully to their huts; the poor women lighted yellow candles and sputtered through gabbled prayers; some abandoned goats whined under branches of trees.
    And the humble sound of the bell, riding on each thunderbolt, sain crying:
    “Clang!... Claang!...Claaang! …”

VI

    Suddenly a lightning flashed in the darkness like a serpent of rubies and carnations.
    The bell of Ermita did not ring.

VII

    The black clouds fled with the winds and thunder.
    The fragrant and humid night smiled diaphanously in her starry splendor.
    And at the foot of the poor mother, of the poor, delirious, and insane mother, was found the body of the dead boy, under the golden rays of the moon.


Jesús Balmori
El Renacimeinto
Manila
November 24, 1906

Translated to English by Pilar E. Mariño

Link to Spanish Version